Marin Marais, Jordi Savall, Cyril Auvity, Marc Mauillon, Le Concert Des Nations made "Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence"" available on September 24, 2021. With Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 28 out of 85. Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence" by Marin Marais, Jordi Savall, Cyril Auvity, Marc Mauillon, Le Concert Des Nations to be Grave (very slow) because the track has a tempo of 32 BPM, a half-time of 16BPM, and a double-time of 64 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM | ||
マレ: 組曲 ニ長調: Sarabande (feat. 武澤秀平, 野入志津子 & 山縣万里) | Marin Marais, Hiroshi Fukuzawa, 武澤秀平, 野入志津子, Mari Yamagata | D♭ Major | 0 | 3B | 122 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM |
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