Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel's 'La Sonnerie de Sainte-Geneviève du mont de Paris' came out on January 1, 1985. Since La Sonnerie de Sainte-Geneviève du mont de Paris is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Musica Antiqua Köln, Reinhard Goebel's "Le Parnasse Francais" album is number 1 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La Sonnerie de Sainte-Geneviève du mont de Paris is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Sonnerie de Sainte-Geneviève du mont de Paris by Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Concerto for Violin And Strings in E Minor, RV 281: I. Allegro | Antonio Vivaldi, Giuliano Carmignola, Accademia Bizantina, Ottavio Dantone | C Minor | 0 | 5A | 88 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Concerto For Flute, Violin, Harpsichord, And Strings In A Minor, BWV 1044: 3. Tempo di Allabreve | Johann Sebastian Bach, Wilbert Hazelzet, Reinhard Goebel, Andreas Staier, Musica Antiqua Köln | A Major | 1 | 11B | 77 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Deuxième suite in D Major: No. 3, Allemande "La familière" | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 119 BPM |
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