Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's 'Symphony No. 62 in D Major, Hob. I:62: II. Allegretto' came out on April 26, 2024. Symphony No. 62 in D Major, Hob. I:62: II. Allegretto is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's "Haydn 2032, Vol. 15: La Reine" album is number 6 out of 12. On top of that, France appears to be the country where this track was created. Symphony No. 62 in D Major, Hob. I:62: II. Allegretto is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 62 in D Major, Hob. I:62: II. Allegretto by Joseph Haydn, Kammerorchester Basel, Giovanni Antonini to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Marriage of Figaro: Overture | Michael Maxwell | D Major | 2 | 10B | 137 BPM | ||
String Quartet No. 2 in F Major, Op. 22: II. Allegro giusto | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 2 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
L'italiana in Algeri: Atto I. Sinfonia | Gioachino Rossini, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
Prelude, opus 28 - No.7 | Frédéric Chopin, Ensemble Ferblanc | A Major | 0 | 11B | 77 BPM | ||
Theme and Variations in F Major, Op. 97: Variation IV | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM | ||
交響曲 第31番 「パリ」 K.297~第2楽章 | リボル・ペシェック, Czech National Symphony Orchestra | D Major | 0 | 10B | 104 BPM | ||
Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": IV. Sanctus | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | G Major | 3 | 9B | 114 BPM | ||
Keyboard Sonata in B-Flat Major, Wq. 54/4, H. 206: I. Allegretto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | B♭ Major | 0 | 6B | 138 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
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