Élisabeth Jacquet de La Guerre, Musica Fiorita's 'Chamber Sonata No. 1 in B-Flat Major: III. Adagio' came out on July 31, 2015. With Chamber Sonata No. 1 in B-Flat Major: III. Adagio being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Élisabeth Jacquet de La Guerre, Musica Fiorita, Daniela Dolci's "Jacquet de la Guerre: Chamber Music" album is number 41 out of 43. Chamber Sonata No. 1 in B-Flat Major: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chamber Sonata No. 1 in B-Flat Major: III. Adagio by Élisabeth Jacquet de La Guerre, Musica Fiorita to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Gigue gaye | Robert de Visée, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Céphale et Procris, Act V Scene 6: Hé-bien, de mes soins généreux (L’Aurore, Iphis) | Élisabeth Jacquet de La Guerre, Ema Nikolovska, Gwendoline Blondeel, Reinoud Van Mechelen, A Nocte Temporis | C Minor | 1 | 5A | 66 BPM | ||
Sonate in D minor: II. Fugue | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 2 | 12A | 141 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM |
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