Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin's 'Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux' came out on February 16, 2024. The duration of Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Golden Hour". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. In terms of popularity, Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux by Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | B♭ Major | 1 | 6B | 79 BPM | ||
Sonata No. 2 in D Major, Op. 3, "La Triomphante": III. Allemande Vivement | Louis-Antoine Dornel, Passacaglia | D♭ Major | 1 | 3B | 83 BPM | ||
Sonata in D Minor, Op. 1 No. 1, HWV 359a: I. Grave | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Premier livre, de pièces de clavecin, Ordre 2: No. 6, Gavotte | François Couperin, Andrew Appel | C Major | 3 | 8B | 114 BPM | ||
Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
Suite No. 4 in G Minor: La Marella. Vivement et marqué | Antoine Forqueray, Lucile Boulanger, Pierre Gallon, Claire Gautrot | F Minor | 2 | 4A | 101 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM |
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