"A battaglia, pensieri: Sinfonia" by Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay was released on January 1, 1998. With A battaglia, pensieri: Sinfonia being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 25 in Bach, J.S.: Jauchzet Gott in Allen Landen / Melani, A.: Qual Mormorio Giocondo / Scarlatti, A.: Su Le Sponde Del Tebro by Ruth Ziesak, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, A battaglia, pensieri: Sinfonia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A battaglia, pensieri: Sinfonia by Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 1 | 6A | 121 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Rejouissance | Cologne Chamber Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Hasse: Demofoonte, Sinfonia: I. Allegro | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 2 | 3B | 136 BPM | ||
Pezzo capriccioso in B Minor, Op. 62 | Pyotr Ilyich Tchaikovsky, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 135 BPM | ||
Sinfonia concertante in E Major, W. C44: II. Larghetto | Johann Christian Bach, Janos Balint, Bela Banfalvi, Zsofia Jardanyi, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 184 BPM | ||
Concerto in D Minor for 2 Chalumeaux, Strings and Basso Continuo: IV. Vivace | Georg Philipp Telemann, Eric Hoeprich, Lisa Klevit, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 140 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM |
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