Cologne Chamber Orchestra made "Suite a fur Blockflote, Streicher und Generalbass: Rejouissance" available on February 22, 2001. The duration of Suite a fur Blockflote, Streicher und Generalbass: Rejouissance is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Suite a fur Blockflote, Streicher und Generalbass: Rejouissance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Telemann: Ii Flauto". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Suite a fur Blockflote, Streicher und Generalbass: Rejouissance's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suite a fur Blockflote, Streicher und Generalbass: Rejouissance by Cologne Chamber Orchestra having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Violin Concerto in G Major, Hob.VIIa:4: III. Allegro | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 3 | 9B | 147 BPM | ||
Irene Sdegnata: Ouverture: Allegro | Alessandro Marcello, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 72 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Symphony No. 59 in B-Flat Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 2 | 11B | 119 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 170 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
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