Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel's 'Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio' came out on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. In terms of popularity, Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | ||
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "La primavera": II. Largo | Antonio Vivaldi, Europa Galante, Fabio Biondi | C Minor | 0 | 5A | 84 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Harmonia artificioso-ariosa / Partia V: Intrada. Alla breve | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 81 BPM | ||
Xerxes Ballet: Air pour les postures de Scaramouche | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 68 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM |
Section: 0.590421199798584
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