Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio
Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel
Biber: Harmonia artificioso-ariosa
2:40 January 1, 2004
BPM
107
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio - Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel Information

Acousticness
85%
Danceability
27%
Energy
19%
Instrumentalness
32%
Liveness
6%
Loudness
70%
Speechiness
4%
Valence
33%
Popularity
Loudness
-17.934 dB

Summary

Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel's 'Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio' came out on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. In terms of popularity, Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio BPM

The tempo marking of Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise by George Frideric Handel, Academy of Ancient Music, Andrew ManzeConcerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. PolonaiseGeorge Frideric Handel, Academy of Ancient Music, Andrew ManzeF♯ Major12B98 BPM
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "La primavera": II. LargoAntonio Vivaldi, Europa Galante, Fabio BiondiC Minor05A84 BPM
Suite in A Minor: VI. Menuet de Poitou et son Double by Louis Couperin, Laurence CummingsSuite in A Minor: VI. Menuet de Poitou et son DoubleLouis Couperin, Laurence CummingsA♭ Minor21A118 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
Suite From Abdelzar: I. Rondeau by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonSuite From Abdelzar: I. RondeauHenry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonD♭ Minor112A101 BPM
Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: Bourre pour les BasquesJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major12B140 BPM
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In D Major, TWV 55:D15: III. HarlequinadeCologne Chamber Orchestra, Georg Philipp TelemannD Major310B135 BPM
Harmonia artificioso-ariosa / Partia V: Intrada. Alla breve by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelHarmonia artificioso-ariosa / Partia V: Intrada. Alla breveHeinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelF♯ Minor111A81 BPM
Xerxes Ballet: Air pour les postures de Scaramouche by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard GoebelXerxes Ballet: Air pour les postures de ScaramoucheJean-Baptiste Lully, Musica Antiqua Köln, Reinhard GoebelA♭ Major14B68 BPM
Pastoreta Ypeché Flauta: II. Allegro by Anonymous, FlorilegiumPastoreta Ypeché Flauta: II. AllegroAnonymous, FlorilegiumB Major11B108 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.590421199798584

End: 0.5941240787506104