George Frideric Handel, Academy of Ancient Music, Andrew Manze's 'Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise' came out on 1998. With this song being about 5 minutes long, at 4:40, "Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise" by George Frideric Handel, Academy of Ancient Music, Andrew Manze is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Academy of Ancient Music, Andrew Manze's "Handel: Concerti Grossi, Op. 6 Nos. 1-12" album is number 19 out of 62. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise by George Frideric Handel, Academy of Ancient Music, Andrew Manze to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio & Fugue In C Minor, K. 546: II. Fugue | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | B Minor | 1 | 10A | 130 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Theodora, Hwv 68: Act I Scene 5: Air: Angels, ever bright and fair | George Frideric Handel, Christina Wieland, Frankfurt Baroque Orchestra, Joachim Carlos Martini | B♭ Minor | 0 | 3A | 55 BPM | ||
Messiah, HVW 56, Part 1, Scene 1: Every valley shall be exalted | George Frideric Handel, Bible, Charles Jennens, Michael Weinius, Rebaroque, Gary Graden | E Major | 1 | 12B | 102 BPM | ||
Joseph and his Brethren HWV 59, Symphony: III. Allegro | George Frideric Handel, La Sfera Armoniosa, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM |
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