Louis Couperin, Laurence Cummings made "Suite in A Minor: VI. Menuet de Poitou et son Double" available on May 27, 1994. The duration of Suite in A Minor: VI. Menuet de Poitou et son Double is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Suite in A Minor: VI. Menuet de Poitou et son Double's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 26 in Couperin, L.: Harpsichord Suites / Tombeau De M. De Blancocher by Louis Couperin, Laurence Cummings. In terms of popularity, Suite in A Minor: VI. Menuet de Poitou et son Double is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite in A Minor: VI. Menuet de Poitou et son Double by Louis Couperin, Laurence Cummings is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | ||
Quatuor No. 3 in G Major: VI. Gai | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | F♯ Major | 2 | 2B | 130 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Concerto per Flauto No. 4 in F Major: II. Allegro | Arcangelo Corelli, Maurice Steger, The English Concert, Laurence Cummings | F♯ Minor | 1 | 11A | 77 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | Robert de Visée, Jean Rondeau | D♭ Major | 2 | 3B | 75 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
Mystery (Rosary) Passacaglia in G Minor | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen | F♯ Minor | 0 | 11A | 171 BPM |
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