"Suite No. 2 for Jazz Orchestra: VII. Waltz II" by Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester was released on March 3, 1997. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Shostakovich: Jazz Suites". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite No. 2 for Jazz Orchestra: VII. Waltz II is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 for Jazz Orchestra: VII. Waltz II by Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite española No. 1, Op. 47: Asturias (Leyenda) | Isaac Albéniz, Alicia de Larrocha | E♭ Major | 1 | 5B | 134 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Jeux interdits (Romance) | Narciso Yepes | A Minor | 1 | 8A | 109 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 173 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra) | Dmitri Shostakovich, Itzhak Perlman, David Garrett, Franck van der Heijden, Orchestra the Prezent | B Minor | 3 | 10A | 85 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM |
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