Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar made "Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz" available on September 21, 1994. The duration of Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Prokofiev: Cinderella Suites / Scythian Suite". In this album, this song's track order is #7. The popularity of Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 194 with a half-time of 97 BPM and a double-time of 388 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Giselle: Act I: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 85 BPM | ||
Chamber Concerto in D Minor, RV 96: I. Allegro | Antonio Vivaldi, Béla Drahos, Nicolaus Esterhazy Sinfonia | A♭ Major | 1 | 4B | 151 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Symphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). Presto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | D Major | 1 | 10B | 138 BPM | ||
Le Carnaval des Animaux, R. 125: 14. Finale | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 3 | 8B | 102 BPM | ||
Daydream | Benno Ebann, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | B♭ Minor | 1 | 3A | 94 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM |
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