Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov's 'Scènes de ballet, Op. 52: II. Marionnettes' came out on March 31, 1998. The duration of Scènes de ballet, Op. 52: II. Marionnettes is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Scènes de ballet, Op. 52: II. Marionnettes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Alexander Anissimov, Moscow Philharmonic Orchestra's "Glazunov, A.K.: Orchestral Works, Vol. 8 - The Seasons / Scenes De Ballet / Scene Dansante" album is number 2 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Scènes de ballet, Op. 52: II. Marionnettes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scènes de ballet, Op. 52: II. Marionnettes by Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
The Wolf Man: The Kill (H. Salter, C. Previn) [Orch. J. Morgan] | Frank Skinner, Hans J. Salter, Moscow Philharmonic Orchestra, William Stromberg | A Minor | 0 | 8A | 82 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: II. Polka. Allegretto grazioso | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Minor | 2 | 7A | 86 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM |
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