Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental - Gerald Finzi, Aurora Orchestra, Nicholas Collon Information

Acousticness: 96%
Danceability: 14%
Energy: 8%
Instrumentalness: 94%
Liveness: 10%
Loudness: 57%
Speechiness: 5%
Valence: 5%
Popularity: 24%
Loudness: -25.597 dB

Summary

"Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental" by Gerald Finzi, Aurora Orchestra, Nicholas Collon was released on January 15, 2016. With Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 4 out of 19. In terms of popularity, Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental BPM

We consider the tempo marking of Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental by Gerald Finzi, Aurora Orchestra, Nicholas Collon to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturne-serenade, Op. 45	Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo	B♭ Major	0	6B	108 BPM
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino	Aram Khachaturian, Alexandre Tharaud	A♭ Major	0	4B	90 BPM
Heavenly Romanticism	Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar	F Major	0	7B	96 BPM
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major	Franz Schubert, Khatia Buniatishvili	F♯ Major	0	2B	69 BPM
Lo frate 'nnamorato: II. Andante	Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato	E Minor	5	9A	165 BPM
15 Pieces, Op. 3: Prelude	Gabriel Pierné, Hae Won Chang	C Minor	0	5A	83 BPM
Romance for Cello and Piano	Frederick Delius, Yo-Yo Ma, Kathryn Stott	B Major	0	1B	66 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	149 BPM
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	B♭ Major	1	6B	115 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6058180332183838

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