Alexander Glazunov, Slovak Radio Symphony Orchestra's 'Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies' came out on January 1, 1991. With Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov's "Glazunov: The Seasons / / Scènes De Ballet" album is number 10 out of 24. In terms of popularity, Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies by Alexander Glazunov, Slovak Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): Peter suggests they all take the Wolf to the zoo | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | A♭ Major | 0 | 4B | 96 BPM | ||
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
Burundi ["Beloved Burundi, Gentle Country…"] | Slovak Radio Symphony Orchestra, Peter Breiner | F Minor | 1 | 4A | 64 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Suite in E Major, P. 51: II. Adagio | Ottorino Respighi, Slovak Radio Symphony Orchestra, Adriano | D Major | 1 | 10B | 55 BPM | ||
La traviata*: Gypsy Chorus 'Noi siamo zingarelle' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM |
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