"3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra)" by Dmitri Shostakovich, Itzhak Perlman, David Garrett, Franck van der Heijden, Orchestra the Prezent was released on September 16, 2022. The duration of 3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. Since Shostakovich: 3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. 3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra) by Dmitri Shostakovich, Itzhak Perlman, David Garrett, Franck van der Heijden, Orchestra the Prezent having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A New Dawning | Franck van der Heijden | C Minor | 5 | 5A | 106 BPM | ||
The Swan Piano Variation (From The Carnival of the Animals, R.125, Arr. for Piano by Svetoslav Karparov) | Camille Saint-Saëns, Gabriele Bagnati | G Major | 1 | 9B | 133 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 6 | 10B | 78 BPM | ||
Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM | ||
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM | ||
Danny Boy (Arr. Garrett / van der Heijden for Violin and Orchestra) | Traditional, David Garrett, Franck van der Heijden, Orchestra the Prezent | F Major | 1 | 7B | 96 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 184 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM |
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