El cant dels ocells (Song of the Birds) (version for cello and orchestra) - Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno Information

Acousticness: 92%
Danceability: 16%
Energy: 3%
Instrumentalness: 23%
Liveness: 11%
Loudness: 45%
Speechiness: 5%
Valence: 3%
Popularity: 56%
Loudness: -33.263 dB

Summary

"El cant dels ocells (Song of the Birds) (version for cello and orchestra)" by Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno was released on February 3, 2015. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 9 in Elegy by Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. El cant dels ocells (Song of the Birds) (version for cello and orchestra) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

El cant dels ocells (Song of the Birds) (version for cello and orchestra) BPM

The tempo marking of El cant dels ocells (Song of the Birds) (version for cello and orchestra) by Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

El cant dels ocells (Song of the Birds) (version for cello and orchestra) Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite Para Orquesta, No. 3 (Air)	Pablo Casals	D Major	2	10B	94 BPM
Nocturne-serenade, Op. 45	Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo	B♭ Major	0	6B	108 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
El cant dels ocells (Version for Cello & String Quartet)	Pablo Casals, Ofra Harnoy, Orford String Quartet	E♭ Minor	0	2A	87 BPM
Am Tage aller Seelen, D. 343, ‘Litanei auf das Fest aller Seelen’	Franz Schubert, Harriet Krijgh, Magda Amara	E♭ Major	0	5B	91 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline	Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno	C Major	0	8B	65 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM

ISRC: DEB261400659
Label: L-M Records/RCA Records

Section: 0.6651871204376221

End: 0.6701726913452148