Pablo Casals's 'Suite Para Orquesta, No. 3 (Air)' came out on 2006. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in El Cant Dels Ocells Pau Casals Íntimo by Pablo Casals. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Suite Para Orquesta, No. 3 (Air) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite Para Orquesta, No. 3 (Air) by Pablo Casals is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
Canarios | Gaspar Sanz, Simon Dinnigan | D Major | 1 | 10B | 96 BPM | ||
Suite Orquestral No. 3 en re, BWV 1068 | Pablo Casals, Jacques Thibaud, Alfred Cortot | D Major | 2 | 10B | 169 BPM | ||
Los Esclavos Felices: Obertura | Juan Crisóstomo Arriaga, Orquestra De Cadaqués, Sir Neville Marriner | D Major | 1 | 10B | 131 BPM | ||
The Swan (Le Cygne) | Camille Saint-Saëns, Pablo Casals, Nicolai Mednikov | G Major | 3 | 9B | 172 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM |
Section: 0.853224515914917
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