Andrés Segovia, George Frideric Handel made "Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia)" available on 1952. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Segovia, Andres: The Baroque Repertoire (1939-1952)". In this album, this song's track order is #21. Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) by Andrés Segovia, George Frideric Handel having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Rondo Brillants, Op. 2: No. 2. Andante - Rondo moderato | Dionisio Aguado, Emanuele Buono | A Minor | 1 | 8A | 90 BPM | ||
5 Préludes, Op. 16: No. 4 in E-Flat Minor (Arr. A. Segovia for Guitar) | Alexander Scriabin, Andrés Segovia | E Minor | 0 | 9A | 94 BPM | ||
Theme and Variations (Sor) | Various Artists, Andrés Segovia | E Major | 2 | 12B | 98 BPM | ||
Ottone: Aria: Bel labro formato per farmi beato | George Frideric Handel, Nicola Francesco Haym, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Minor | 3 | 12A | 82 BPM | ||
Españoleta | Gaspar Sanz, Andrés Segovia | A Minor | 0 | 8A | 109 BPM | ||
Sakura - Theme & Variations On A Japanese Folk Song | Yukihiro Yoko, Göran Söllscher | A Minor | 1 | 8A | 144 BPM | ||
Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
25 Etudes, Op. 38: No. 3 in D Minor: Prelude | Napoléon Coste, Jeffrey McFadden | D Minor | 0 | 7A | 116 BPM | ||
Menuet | Robert de Visée, Andrés Segovia | D♭ Minor | 0 | 12A | 105 BPM |
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