"25 Etudes, Op. 38: No. 3 in D Minor: Prelude" by Napoléon Coste, Jeffrey McFadden was released on August 23, 2000. With 25 Etudes, Op. 38: No. 3 in D Minor: Prelude being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 31 in Coste: Guitar Works, Vol. 4 by Napoléon Coste. In terms of popularity, 25 Etudes, Op. 38: No. 3 in D Minor: Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Etudes, Op. 38: No. 3 in D Minor: Prelude by Napoléon Coste, Jeffrey McFadden is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Etudes, Op. 38: No. 6 in A Major: Andantino | Napoléon Coste, Jeffrey McFadden | D Major | 1 | 10B | 119 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Suite populaire Brésilienne, W020: II. Schottish-chôro | Heitor Villa-Lobos, Mickael Viegas | A Major | 1 | 11B | 107 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
25 Etudes, Op. 38: No. 21 in G Major | Napoléon Coste, Jeffrey McFadden | G Major | 0 | 9B | 141 BPM | ||
Prelude XII | Per-Olov Kindgren | C Major | 1 | 8B | 99 BPM | ||
Variations on a Theme of Sor, Op. 15 | Miguel Llobet Solés, Raphaël Feuillâtre | E Minor | 0 | 9A | 65 BPM | ||
A Don Agustin Bardi (arr. J. Morel): Don Agustin Bardi (arr. Morel) | Horacio Salgán, Jorge Morel, Ricardo Cobo | A Minor | 1 | 8A | 128 BPM | ||
Ghiribizzi, MS 43: No. 15. Allegro | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM |
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