Alexander Scriabin, Andrés Segovia's '5 Préludes, Op. 16: No. 4 in E-Flat Minor (Arr. A. Segovia for Guitar)' came out on January 6, 2023. With 5 Préludes, Op. 16: No. 4 in E-Flat Minor (Arr. A. Segovia for Guitar) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "The Romantic Repertoire". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. In terms of popularity, 5 Préludes, Op. 16: No. 4 in E-Flat Minor (Arr. A. Segovia for Guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 5 Préludes, Op. 16: No. 4 in E-Flat Minor (Arr. A. Segovia for Guitar) by Alexander Scriabin, Andrés Segovia having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
2 Impromptus, Op. 12: No. 2 | Alexander Scriabin, Valentina Lisitsa | B Minor | 2 | 10A | 87 BPM | ||
El colibri | Julio Sagreras, Jason Vieaux | G Major | 2 | 9B | 152 BPM | ||
3 Pieces Polyglottes: II. Valse des loges (Green Room Waltz) | Roland Dyens, Elena Papandreou | D Major | 0 | 10B | 70 BPM | ||
Standchen (Serenade) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Major | 0 | 8B | 132 BPM | ||
Waltz No. 4, Op. 38 | Alexander Scriabin, Benjamin Grosvenor | D Major | 0 | 10B | 70 BPM | ||
2 Impromptus à la Mazur, Op. 7: No. 2 in F-Sharp Major | Alexander Scriabin, Gordon Fergus-Thompson | F♯ Minor | 0 | 11A | 76 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Zambra Granadina | Isaac Albéniz, David Russell | D Major | 1 | 10B | 68 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM |
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