"Suite española No. 1, Op. 47: Asturias (Leyenda)" by Isaac Albéniz, Alicia de Larrocha was released on February 19, 1988. Suite española No. 1, Op. 47: Asturias (Leyenda) is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 9 out of 21 in Albéniz: Ibéria; Navarra; Suite Española by Isaac Albéniz, Alicia de Larrocha. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Suite española No. 1, Op. 47: Asturias (Leyenda)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite española No. 1, Op. 47: Asturias (Leyenda) by Isaac Albéniz, Alicia de Larrocha is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Albeniz: Iberia, Tercer Cuaderno: III. Lavaples | Alicia de Larrocha | D♭ Major | 3 | 3B | 76 BPM | ||
8 Slavonic Dances, Op.72, B.147: No.2 In E Minor (Allegretto grazioso) | Antonín Dvořák, Russian National Orchestra, Mikhail Pletnev | E Major | 5 | 12B | 85 BPM | ||
Schumann: Carnaval, Op. 9: No. 13, Chopin | Robert Schumann, Andrei Gavrilov | C Major | 0 | 8B | 161 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Concierto de Aranjuez For Guitar And Orchestra: 2. Adagio - Excerpt | Joaquín Rodrigo, Narciso Yepes, Orquesta Sinfonica de la Radio Television Espanola, Odon Alonso | B Minor | 0 | 10A | 83 BPM | ||
Albeniz: Iberia, Primer Cuaderno: I. Evocacion | Alicia de Larrocha | B♭ Minor | 1 | 3A | 79 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai - Edit | Maurice Ravel, Alicia de Larrocha, London Philharmonic Orchestra, Lawrence Foster | E Major | 0 | 12B | 69 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM |
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