"Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati)" by Christoph Willibald Gluck, Nelson Freire was released on September 6, 2019. The duration of Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) is about 3 minutes long, at 3:04. Based on our data, "Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Gluck: Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) by Christoph Willibald Gluck, Nelson Freire to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gianni Schicchi, SC 88: "O mio babbino caro" (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 1 | 4B | 124 BPM | ||
Children's Corner, L. 113: 5. The Little Shepherd | Claude Debussy, Nelson Freire | A Minor | 2 | 8A | 167 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance Of The Furies | Christoph Willibald Gluck, Orpheus Chamber Orchestra | D Minor | 4 | 7A | 150 BPM | ||
Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony" | Alfred Schnittke, Daniel Hope, Alexey Botvinov | F Minor | 1 | 4A | 86 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Fazıl Say | E♭ Minor | 0 | 2A | 90 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Dance of the Blessed Spirits | Christoph Willibald Gluck, James Galway, London Mozart Players | F Major | 1 | 7B | 74 BPM | ||
The Seasons, Op. 37a: VI. June - Barcarolle | Pyotr Ilyich Tchaikovsky, Lang Lang | G Minor | 0 | 6A | 64 BPM |
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