Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra's 'Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28' came out on March 1, 1992. Since Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Paganini, Saint-Saëns & Waxman : Works for Violin & Orchestra". In this album, this song's track order is #4. Based on our statistics, Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 by Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Gil Shaham, Orpheus Chamber Orchestra | A♭ Major | 1 | 4B | 74 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 - Arranged By György Cziffra | Johann Strauss II, Yuja Wang | E Major | 2 | 12B | 95 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' | Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | B Minor | 2 | 10A | 105 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Gil Shaham, Akira Eguchi | D Minor | 1 | 7A | 94 BPM | ||
Violin Concerto in D Major, Op.77: 3. Allegro giocoso | Johannes Brahms, David Garrett, Israel Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 87 BPM | ||
Scherzo-Tarentelle Op. 16 | Henryk Wieniawski, Maxim Vengerov, Ian Brown | D Major | 2 | 10B | 99 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | G Major | 3 | 9B | 68 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM |
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