"Albeniz: Iberia, Primer Cuaderno: I. Evocacion" by Alicia de Larrocha was released on August 22, 1992. Albeniz: Iberia, Primer Cuaderno: I. Evocacion is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Alicia de Larrocha's "Iberia/Navarra/Suite Espanola Etc." album is number 1 out of 22. On top of that, United States appears to be the country where this track was created. Albeniz: Iberia, Primer Cuaderno: I. Evocacion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albeniz: Iberia, Primer Cuaderno: I. Evocacion by Alicia de Larrocha to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in D Flat Major: 3. Allegro brillante | Aram Khachaturian, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D♭ Major | 2 | 3B | 81 BPM | ||
Sonatina in G Major, Op. 36 No. 2: III. Allegro | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 105 BPM | ||
16 Waltzes, Op. 39: 3. In G Sharp Minor | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A♭ Minor | 0 | 1A | 86 BPM | ||
Piano Sonata in D, H.XVI No.37: 3. Finale (Presto, ma non troppo) | Joseph Haydn, Alfred Brendel | B♭ Minor | 1 | 3A | 67 BPM | ||
Iberia - Piano (Pub.1906) - Book 1: 2. El Puerto | Isaac Albéniz, Alicia de Larrocha | D♭ Major | 1 | 3B | 89 BPM | ||
Petite Suite for Piano (4 Hands), L. 65: I. En bateau | Claude Debussy, Alfons Kontarsky, Aloys Kontarsky | G Major | 0 | 9B | 67 BPM | ||
12 Monferrinas, Op. 49: VIII. Vivace assai | Muzio Clementi, Howard Shelley | B♭ Major | 2 | 6B | 103 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Bernd Glemser | D♭ Major | 0 | 3B | 68 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Carnaval, Op. 9: 5. Eusebius | Robert Schumann, Alicia de Larrocha | A♭ Major | 0 | 4B | 78 BPM |
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