Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky made "Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy)" available on October 6, 2004. The duration of Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #14. The popularity of Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
Act II: 2nd Gypsy Dance (Minkus) | Mariinsky Orchestra | A Minor | 3 | 8A | 78 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | E♭ Major | 0 | 5B | 88 BPM | ||
Swan Lake, Op. 20, Act III: "Variazione del principe" | Silvano Belfiore | F♯ Minor | 3 | 11A | 130 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Cipollino, Act II Scene 3: Scene with Flowers | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | A Major | 1 | 11B | 103 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM |
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