"Act II. Waltz, Odetta's variations, the Dance of the small swans" by Moscow New Philharmonic Orchestra, Vladimir Ponkin was released on 2004. Since Act II. Waltz, Odetta's variations, the Dance of the small swans is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "P. Tchaikovsky: The Swan Lake, ballet (excerpts)". In this album, this song's track order is #5. The popularity of Act II. Waltz, Odetta's variations, the Dance of the small swans is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act II. Waltz, Odetta's variations, the Dance of the small swans by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
4 Versions: 4 | Music Contemporary Musica Ensemble, Vladislav Shoot, Vladimir Ponkin | G Minor | 0 | 6A | 101 BPM | ||
5 Deutsche Tänze in C Major, D. 90 | Symphonisches Orchester Berlin, Carl-August Bünte | C Major | 0 | 8B | 115 BPM | ||
Ocean Etude in C minor--Chopin | Nathan Bello | F Minor | 2 | 4A | 139 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Farewell before the Parting | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 83 BPM | ||
Giselle / Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 105 BPM | ||
Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | G Minor | 0 | 6A | 96 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM |
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