"Beau Soir" by Claude Debussy, Renée Fleming, Jean-Yves Thibaudet was released on March 17, 2023. The duration of Beau Soir is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Beau Soir's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 61 in Arabesque: Debussy Piano Works by Claude Debussy, Jean-Yves Thibaudet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Beau Soir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beau Soir by Claude Debussy, Renée Fleming, Jean-Yves Thibaudet is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Del cabello mas sutil | Fernando Obradors, Ruth Ann Swenson | F♯ Major | 0 | 2B | 79 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM | ||
Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
6 Romances, Op. 38: V. The Dream - Musical Moments | Sergei Rachmaninoff, Anna El-Khashem, Holger Groschopp | D Major | 5 | 10B | 140 BPM | ||
Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM |
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