"Hébé, Op. 2 No. 6" by Ernest Chausson, Axel Bauni, Stella Doufexis was released on 2006. The duration of Hébé, Op. 2 No. 6 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Hébé, Op. 2 No. 6's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Sketches of Greece". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Hébé, Op. 2 No. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hébé, Op. 2 No. 6 by Ernest Chausson, Axel Bauni, Stella Doufexis having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Deux romances, L 79: No. 2, Les cloches | Claude Debussy, Stella Doufexis, Daniel Heide | F♯ Major | 0 | 2B | 80 BPM | ||
Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
Requiem Canticles: Interlude | Igor Stravinsky, Stella Doufexis, Rudolf Rosen, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Michael Gielen | D♭ Major | 0 | 3B | 98 BPM | ||
Flow My Tears | John Dowland, Elin Manahan Thomas, David Miller, Harry Christophers | A♭ Minor | 0 | 1A | 63 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: III. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | A Major | 0 | 11B | 119 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM |
Section: 0.9692623615264893
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