"Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune" by Gabriel Fauré, Véronique Gens, Roger Vignoles was released on February 1, 2000. The duration of Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune is about 3 minutes long, at 3:03. Based on our data, "Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Nuit d'étoiles - Mélodies françaises". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune by Gabriel Fauré, Véronique Gens, Roger Vignoles having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Scipione Hwv 20 - Original Version: Scoglio d'immota fronte | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | D♭ Major | 3 | 3B | 129 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Ave Verum, Op. 65/1 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | G Minor | 0 | 6A | 87 BPM | ||
Die Mainacht, Op. 43/2 | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 1 | 5B | 135 BPM | ||
Elgar: Sea Pictures, Op. 37: I. Sea Slumber-Song, "Sea-birds are asleep" (Andantino) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 78 BPM | ||
Mai | Reynaldo Hahn, Susan Graham | F♯ Major | 1 | 2B | 68 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM |
Section: 0.5970172882080078
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