"Mai" by Reynaldo Hahn, Susan Graham was released on January 1, 1991. The duration of Mai is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Mai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reynaldo Hahn, Susan Graham, Roger Vignoles's "La Belle Époque: The Songs of Reynaldo Hahn" album is number 21 out of 24. Mai is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mai by Reynaldo Hahn, Susan Graham to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paladilhe: Psyché | Émile Paladilhe, Susan Graham, Malcolm Martineau | F♯ Major | 0 | 2B | 71 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 2 | 7A | 77 BPM | ||
Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Dido and Aeneas, ACT 3: Scene 2 | Camilla Tilling, Le Concert d'Astrée, Susan Graham, European Voices, Emmanuelle Haïm, Ian Bostridge | F♯ Minor | 1 | 11A | 171 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Six Lieder, Op. 13: 2. Sie liebten sich beide | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | C Minor | 0 | 5A | 167 BPM | ||
Poulenc: Banalités, FP 107: No. 4, Voyage à Paris | Francis Poulenc, Véronique Gens, Roger Vignoles | A♭ Major | 1 | 4B | 88 BPM |
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