Dido and Aeneas, ACT 3: Scene 2 - Camilla Tilling, Le Concert d'Astrée, Susan Graham, European Voices, Emmanuelle Haïm, Ian Bostridge Information

Acousticness: 98%
Danceability: 18%
Energy: 9%
Instrumentalness: 22%
Liveness: 10%
Loudness: 67%
Speechiness: 6%
Valence: 4%
Popularity: 5%
Loudness: -19.568 dB

Summary

"Dido and Aeneas, ACT 3: Scene 2" by Camilla Tilling, Le Concert d'Astrée, Susan Graham, European Voices, Emmanuelle Haïm, Ian Bostridge was released on 2006. Since Dido and Aeneas, ACT 3: Scene 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Baroque, so we believe that "Dido and Aeneas, ACT 3: Scene 2" is a single. The popularity of Dido and Aeneas, ACT 3: Scene 2 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dido and Aeneas, ACT 3: Scene 2 BPM

The tempo marking of Dido and Aeneas, ACT 3: Scene 2 by Camilla Tilling, Le Concert d'Astrée, Susan Graham, European Voices, Emmanuelle Haïm, Ian Bostridge is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.

Dido and Aeneas, ACT 3: Scene 2 Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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4 Lieder, Op. 2: No. 4, Waldsonne	Arnold Schoenberg, Camilla Tilling, Paul Rivinius	E Major	0	12B	67 BPM
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Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante	Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur	E Minor	0	9A	140 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen	Johannes Brahms, Camilla Tilling, Detlef Roth, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Marek Janowski	D♭ Major	0	3B	90 BPM
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Der Zwerg, Op. 22, No. 1, D. 771	Franz Schubert, Camilla Tilling, Paul Rivinius	E Major	0	12B	67 BPM
Royal Palace, Op. 17: Ihr kennt die Frauen nicht (Dejanira, The Husband, The Young Fisherman, The Old Fisherman)	Kurt Weill, Janice Watson, Stephen Richardson, Ashley Holland, Richard Coxon, Timothy Robinson, Jeremy White, Camilla Tilling, BBC Singers, BBC Symphony Orchestra, Andrew Davis	D♭ Major	1	3B	83 BPM
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt	Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus	E♭ Major	0	5B	98 BPM
Poulenc: Stabat Mater, FP 148: I. Stabat mater dolorosa	Francis Poulenc, Richard Hickox, Westminster Singers, City of London Sinfonia	A♭ Major	0	4B	92 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.6550259590148926

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