George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket's 'Scipione Hwv 20 - Original Version: Scoglio d'immota fronte' came out on January 1, 2004. With this song being about 5 minutes long, at 5:27, "Scipione Hwv 20 - Original Version: Scoglio d'immota fronte" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #3. Based on our statistics, Scipione Hwv 20 - Original Version: Scoglio d'immota fronte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Scipione Hwv 20 - Original Version: Scoglio d'immota fronte by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Israel in Egypt, HWV 54: Part I, The Lamentation of the Israelites for the death of Joseph: How is the mighty fall'n I (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Ah, ritorna | Felix Mendelssohn, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B♭ Major | 1 | 6B | 62 BPM | ||
Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Magnificat: Et misericordia | Giovanni Battista Pergolesi, Elizabeth Vaughan, Dame Janet Baker, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | G Minor | 1 | 6A | 116 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 129 BPM | ||
Ode for the Birthday of Queen Anne (Eternal source of light divine): 1. Eternal source of light divine | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Alastair Ross, Daniel Hyde, Robin Blaze, Pavlo Beznosiuk, Michael George | D♭ Major | 1 | 3B | 172 BPM | ||
Serse HWV 40 (1738) : Se bramate d'amar chi vi sdegna | George Frideric Handel, Max Emanuel Cenčić, Diego Fasolis, I Barocchisti | D♭ Major | 5 | 3B | 120 BPM | ||
Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM |
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