"Louise / Act 3: "Depuis le jour"" by Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1998. Louise / Act 3: "Depuis le jour" is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Renée Fleming - The Beautiful Voice". In this album, this song's track order is #1. Louise / Act 3: "Depuis le jour" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Louise / Act 3: "Depuis le jour" by Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Fedora / Act 2: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 123 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Semele / Act 1: Endless pleasure... | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 81 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 1 | 12B | 91 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Dido and Aeneas / Act 3: "Your counsel all is urged in vain" | Henry Purcell, Janet Baker, Patricia Clarke, Raimund Herincx, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 2 | 6A | 102 BPM | ||
Delibes : Lakmé : Act 2 The Bell Song [Lakmé] | Léo Delibes, Sumi Jo, Paolo Olmi, Monte-Carlo Philharmonic Orchestra | G Major | 1 | 9B | 132 BPM |
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