Francesco Corradini, Martha Molinar, Studio ensemble made "El ave al cielo" available on January 1, 1997. With this song being about 5 minutes long, at 4:38, "El ave al cielo" by Francesco Corradini, Martha Molinar, Studio ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vocal Recital: Molinar, Martha - Corchado, J. / Nebra, J. / Hidalgo, J. / Riva, M. De / Jerusalem Y Stella, I. / Torres, J. De / Corradini, F. by Martha Molinar. The song's track number on the album is #7 out of 12 tracks. Based on our data, Mexico was the country where this track was produced or recorded. In terms of popularity, El ave al cielo is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since El ave al cielo by Francesco Corradini, Martha Molinar, Studio ensemble has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With El ave al cielo being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Bach, JS: Mass in F Major, BWV 233: Gloria | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | E Major | 4 | 12B | 97 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
El ave al cielo | Francesco Corradini, Martha Molinar, Studio ensemble | B Major | 1 | 1B | 102 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Symphony No.1 in B-Flat Major: 1. Allegro (I) | William Boyce, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 185 BPM |
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