"Concerto Armonico I: I. Grave" by Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa was released on September 29, 2023. With Concerto Armonico I: I. Grave being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Van Wassenaer: VI Concerti Armonici by Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa. The song's track number on the album is #1 out of 24 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Concerto Armonico I: I. Grave is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto Armonico I: I. Grave by Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto Armonico I: I. Grave being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 127 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: VI. Allegretto (Tarantella) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 3 | 11A | 129 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Alexander Balus HWV 65, Act III: Fury, with red-sparkling Eyes | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Hexachordum Apollinis: No. 5 in A Minor, Aria & 6 Variations, P. 197 | Johann Pachelbel, Enrico Bissolo | D Major | 7 | 10B | 125 BPM |
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