Francesco Geminiani, Boston Baroque, Martin Pearlman's '12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro' came out on January 13, 2009. The duration of 12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: The Four Seasons - Geminiani: Concerti grossi Nos. 4 & 12 by Boston Baroque, Martin Pearlman, Christina Day Martinson. The song's track number on the album is #14 out of 18 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, 12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro by Francesco Geminiani, Boston Baroque, Martin Pearlman has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor: II. Corrente | Nicola Matteis, Le Consort | F♯ Minor | 2 | 11A | 100 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: II. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Dido and Aeneas, Z. 626: Act II Scene 1: Prelude for the Witches | Henry Purcell, Kirsten Flagstad, Elisabeth Schwarzkopf, Eilidh McNab, Arda Mandikian, Sheila Rex, Anna Pollak, Thomas Hemsley, David Lloyd, Mermaid Singers, Mermaid Orchestra, Geraint Jones | B♭ Major | 1 | 6B | 93 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Water Music, Suite No. 1 in F Major, HWV 348: X. (Allegro) | George Frideric Handel, Martin Pearlman, Boston Baroque | D♭ Major | 3 | 3B | 122 BPM | ||
Sonata No. 3 in C Major: XIV. 14 4. Allegro | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | B Major | 2 | 1B | 96 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM | ||
Der Stein der Weisen, Act I: Aria. Ein Mädchen, die von Liebe heiß | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat | D♭ Major | 1 | 3B | 90 BPM |
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