"Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109" by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists was released on November 26, 2015. Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists's "Jan Dismas Zelenka: Psalmi Vespertini I" album is number 2 out of 29. On top of that, Czechia appears to be the country where this track was created. Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: IV. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | C Minor | 1 | 5A | 147 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Première Lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | E Major | 1 | 12B | 99 BPM |
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