"Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini" by Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. The duration of Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 16 out of 50. Based on our statistics, Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini by Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata BWV 177 : Coro: "Ich ruf zu dir, Herr Jesu Christ": Coro: "Ich ruf zu dir, Herr Jesu Christ" | Johann Sebastian Bach, Il Gardellino | B Major | 2 | 1B | 139 BPM | ||
Belshazzar HWV 61, Act II: Recit. accompany'd - Rejoice, my Countrymen | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: III. Vivace | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 3 | 9A | 107 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Campra: Messe de Requiem: II. Kyrie eleison | André Campra, Emmanuelle Haïm, Samuel Boden, Victor Sicard | F Major | 2 | 7B | 119 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | A♭ Major | 1 | 4B | 123 BPM | ||
Concerto for 2 Oboes and Bassoon in C Minor, FWV L:c2: III. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | B Minor | 2 | 10A | 96 BPM |
Section: 1.110147476196289
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