"Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race" by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich was released on March 9, 2004. With Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Ode for St. Cecilia's Day" album is number 11 out of 13. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Geistliche Chormusik, Op. 11: 16. Ein Kind ist uns geboren, SWV 384 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Tobias Mäthger, Felix Schwandtke, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 70 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
The Three Ravens | Thomas Ravenscroft, Dorothee Mields, Lautten Compagney Berlin, Wolfgang Katschner | F♯ Minor | 0 | 11A | 71 BPM | ||
Première Lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | E Major | 1 | 12B | 99 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
La Statira: Vien con nuova orribil guerra | Tomaso Albinoni, Maria Keohane, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Major | 9 | 12B | 128 BPM |
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