Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay's 'Qual mormorio giocondo: Recitative: Qual mormorio giocondo' came out on January 1, 1998. With Qual mormorio giocondo: Recitative: Qual mormorio giocondo being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 25 in Bach, J.S.: Jauchzet Gott in Allen Landen / Melani, A.: Qual Mormorio Giocondo / Scarlatti, A.: Su Le Sponde Del Tebro by Ruth Ziesak, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Qual mormorio giocondo: Recitative: Qual mormorio giocondo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Qual mormorio giocondo: Recitative: Qual mormorio giocondo by Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rinaldo, HWV 7b: Act I Scene 1: Recitative: Delle nostre fatiche - Aria: Sovra balze scoscese e pungenti (Goffredo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Album for the Young, Op. 68: No. 28, Erinnerung. 4. November 1847 | Robert Schumann, Ruth Ziesak, Gerold Huber | F Major | 1 | 7B | 82 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Numi, barbari Numi!" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Die Zauberflöte / Act 2: "Alles fühlt der Liebe Freuden" | Wolfgang Amadeus Mozart, Heinz Zednik, Sumi Jo, Ruth Ziesak, Wiener Philharmoniker, Sir Georg Solti | G Major | 1 | 9B | 148 BPM | ||
Symphony No. 1 in D Major "Titan": II. Blumine (Arr. A. Kratzer for Trumpet and Piano 4-Hands) | Gustav Mahler, Reinhold Friedrich, Eriko Takezawa, Alisa Kratzer | C Major | 1 | 8B | 170 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Salve Regina, S. 308: No. 1, Salve Regina | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | F Minor | 2 | 4A | 75 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Der Trompeter von Säkkingen: Behüt‘ Dich Gott, es wär so schön gewesen (Arr. R. Friedrich & E. Takezawa for Trumpet & Piano) | Victor Nessler, Reinhold Friedrich, Eriko Takezawa | G Major | 1 | 9B | 76 BPM | ||
Su le sponde del Tebro: Recitative: Su le sponde del Tebro - Aria: Contentatevi, o fidi pensieri | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 83 BPM |
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