"Vocalise, Op. 34, No. 14" by Sergei Rachmaninoff, Südwestdeutsches Kammerorchester Pforzheim, Patrick Gallois, Emmanuel Krivine was released on January 1, 2001. The duration of Vocalise, Op. 34, No. 14 is about 3 minutes long, at 3:22. Based on our data, "Vocalise, Op. 34, No. 14" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yellow Lounge by Yellow Lounge. The song's track number on the album is #2 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Vocalise, Op. 34, No. 14 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Südwestdeutsches Kammerorchester Pforzheim, Patrick Gallois, Emmanuel Krivine has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vocalise, Op. 34, No. 14 being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Keyboard Suite No. 5 in E Major, HWV 430: IV. Air & Variations "The Harmonious Blacksmith" | George Frideric Handel, Sergei Rachmaninoff | G Major | 2 | 9B | 136 BPM | ||
Traumerei Op.15/7 (Dreaming from Scenes From Childhood) | South German Philharmonic Orchestra | F Major | 0 | 7B | 136 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - | Dmitri Shostakovich, Michael Houstoun, John Taber, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Major | 0 | 8B | 70 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Kinderszenen, Op. 15, No. 7: Träumerei | Slovak State Philharmonic Orchestra, Christian Ehwald | F Major | 0 | 7B | 75 BPM | ||
Symphony No. 2 in E minor, Op. 27: 3. Adagio - Extract | Sergei Rachmaninoff, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM |
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