Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra's 'Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso' came out on January 1, 2009. The duration of Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Various Artists's "Most Relaxing Mendelssohn" album is number 2 out of 19. On top of that, United States appears to be the country where this track was created. Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso by Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Triste, Op. 44 No. 1 | Japan Philharmonic Orchestra, Jean Sibelius, Akeo Watana | G Major | 0 | 9B | 88 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Flute Concerto No. 2, K.314 in D: Rondeau: Allegro | James Galway, Sir Neville Marriner | D Major | 1 | 10B | 125 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto | London Philharmonic Orchestra | F Major | 2 | 7B | 85 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Water Music, HWV 348-350: Suite | George Frideric Handel, George Szell, London Symphony Orchestra | D Major | 3 | 10B | 110 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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