"Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major" by Benjamin Frith, John Field was released on June 3, 2000. The duration of Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in FIELD: Piano Music, Vol. 2 by Benjamin Frith. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major by Benjamin Frith, John Field is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Thème et variations: V. Quatrième Variation | Olivier Messiaen, Benjamin Frith, Lucy Gould | F♯ Major | 3 | 2B | 88 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
Section: 0.700502872467041
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