- BPM
- 121
- Key
- A Minor
- Camelot
- 8A
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) - The Royal Festival Orchestra, William Bowles, Sarah Ainsworth Information
- Acousticness
- 100%
- Danceability
- 36%
- Energy
- 14%
- Instrumentalness
- 87%
- Liveness
- 9%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 13%
- Popularity
- 5%
- Loudness
- -20.173 dB
Summary
""Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth)" by The Royal Festival Orchestra, William Bowles, Sarah Ainsworth was released on 2011. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Royal Festival Orchestra, William Bowles's "Music Time With Beethoven - 4 Babies" album is number 1 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) BPM
We consider the tempo marking of "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) by The Royal Festival Orchestra, William Bowles, Sarah Ainsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) Key
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trois Gymnopédies: I. Lent Et Douloureux | Erik Satie, Wolfgang Sieber | D Major | 0 | 10B | 73 BPM | |
 | Violin Sonata in E Minor, Op. 82: III. Allegro non troppo | Edward Elgar, Atanas Kareev, Lee Suk-Bin | B Minor | 1 | 10A | 82 BPM | |
 | Near The Cross | Sarah Ainsworth | F Major | 0 | 7B | 97 BPM | |
 | Valse triste (Sad Waltz), Op. 44, No. 1 | The Royal Festival Orchestra | C Major | 0 | 8B | 139 BPM | |
 | Piano Concerto No. 21 in C Major: Allegro vivace assai | Sarah Ainsworth, The Royal Festival Orchestra | C Major | 3 | 8B | 85 BPM | |
 | La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | |
 | Keyboard Sonatina In D Major, Op. 36, No. 6: I. Allegro Con Spirito | Muzio Clementi, Balazs Szokolay | A Major | 2 | 11B | 81 BPM | |
 | Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | |
 | L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | |
 | Sonate, F-Moll, L. 383 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Minor | 1 | 4A | 124 BPM |
- ISRC
- USA371267465
- Label
- L-M Records/RCA Records
Section: 0.7172753810882568
End: 0.7209174633026123