South German Philharmonic Orchestra's 'Traumerei Op.15/7 (Dreaming from Scenes From Childhood)' came out on May 1, 2010. The duration of Traumerei Op.15/7 (Dreaming from Scenes From Childhood) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Traumerei Op.15/7 (Dreaming from Scenes From Childhood)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #14 out of 100 tracks. Based on our statistics, Traumerei Op.15/7 (Dreaming from Scenes From Childhood)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Traumerei Op.15/7 (Dreaming from Scenes From Childhood) by South German Philharmonic Orchestra has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Traumerei Op.15/7 (Dreaming from Scenes From Childhood) being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aeolian Harp | Nicolai Kureschky | A♭ Major | 0 | 4B | 96 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Symphony No.4 3rd Movement | South German Philharmonic Orchestra | D Minor | 1 | 7A | 121 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Mozart: Piano Concerto No. 26 in D, K. 537, "Coronation" | London Festival Orchestra | A Major | 0 | 11B | 115 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Haydn Symphony No. 63 C Major "La Roxelane": II. Menuetto | Joseph Haydn, Alexander von Pitamic, South German Philharmonic Orchestra | C Major | 1 | 8B | 140 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Dolly, Op. 56 (version for piano 4 hands): I. Berceuse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | E Major | 0 | 12B | 73 BPM | ||
Prelude - La Cathedrale engloutie | Peter Schmalfuss | C Major | 0 | 8B | 71 BPM |
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