"Mozart: Piano Concerto No. 26 in D, K. 537, "Coronation"" by London Festival Orchestra was released on January 1, 2008. Since Mozart: Piano Concerto No. 26 in D, K. 537, "Coronation" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 26 in Classical Piano's Greatest Moments by London Festival Orchestra. In terms of popularity, Mozart: Piano Concerto No. 26 in D, K. 537, "Coronation" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mozart: Piano Concerto No. 26 in D, K. 537, "Coronation" by London Festival Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E♭ Major | 3 | 5B | 57 BPM | ||
Wedding Day At Troldhaugen Op.65/6 | Radio Orchestra Berlin | D Major | 1 | 10B | 117 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Aufzug der Meistersinger | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | C Major | 2 | 8B | 94 BPM | ||
Serse, HWV 40: Ombra mai fu | Charles Roland Berry | G Minor | 3 | 6A | 90 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Piano Sonato No. 14 in C sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio Sostennuto | Christopher Muldoon | A♭ Minor | 0 | 1A | 201 BPM | ||
Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
The Carnival of the Animals: Fossils | Camille Saint-Saëns, Academy Of London, Richard Stamp | E♭ Major | 2 | 5B | 116 BPM | ||
Wiegenliedchen, Op. 124, N. 6 (Schumann) | Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini | G Major | 0 | 9B | 79 BPM |
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