"Dolly, Op. 56 (version for piano 4 hands): I. Berceuse" by Gabriel Fauré, Eric Le Sage, Alexandre Tharaud was released on November 19, 2013. The duration of Dolly, Op. 56 (version for piano 4 hands): I. Berceuse is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Dolly, Op. 56 (version for piano 4 hands): I. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 23 in Fauré: 4 - Duos et Trios avec Piano by Gabriel Fauré, Eric Le Sage. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Dolly, Op. 56 (version for piano 4 hands): I. Berceuse is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dolly, Op. 56 (version for piano 4 hands): I. Berceuse by Gabriel Fauré, Eric Le Sage, Alexandre Tharaud is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Waltz, Op. 39, No. 3 - Remastered 2022 | Johannes Brahms, Mario Sollazzo | B♭ Minor | 0 | 3A | 76 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) | Academy of St. Martin in the Fields | A Minor | 0 | 8A | 93 BPM | ||
Shostakovich: Fugue No. 7 In A Major | Dmitri Shostakovich, Joachim Kwetzinsky | A Major | 1 | 11B | 79 BPM |
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