Johannes Brahms, Yo-Yo Ma's 'Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]' came out on 2015. With Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo Ma having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: "O mio Babbino caro" | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | A♭ Major | 2 | 4B | 89 BPM | ||
Lullaby (Wiegenlied) | Johannes Brahms, David Hays, Peter Collins | E♭ Major | 2 | 5B | 126 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Lullaby (Guten Abend, gut' Nacht) | Johannes Brahms, Fabian Müller | E♭ Major | 0 | 5B | 70 BPM |
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