"Shostakovich: Fugue No. 7 In A Major" by Dmitri Shostakovich, Joachim Kwetzinsky was released on March 12, 2010. The duration of Shostakovich: Fugue No. 7 In A Major is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Shostakovich: Fugue No. 7 In A Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Polyphonic Dialogues: Shostakovich - Shchedrin". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Norway. Shostakovich: Fugue No. 7 In A Major is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: Fugue No. 7 In A Major by Dmitri Shostakovich, Joachim Kwetzinsky having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Deux Arabesques L. 66: No. 1 Andante con moto | Claude Debussy, Zoltán Kocsis | E Major | 0 | 12B | 70 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 0 | 6B | 89 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
En rêve, nocturne, S. 207 | Franz Liszt, Paul Lewis | B Major | 0 | 1B | 136 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
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